I’m Sreehari, the kind of creative who doesn’t just make things move, I make teams move faster, messages hit harder, and brands feel human.
From IBM Blockchain to Adobe’s leadership floors to Omnicom’s fast-paced agency war rooms, I’ve spent over 14 years stitching pixels to purpose, leading motion design, internal communications, and video storytelling with heart, clarity, and strategy.
I’ve built motion teams from scratch, mentored 40+ designers into client-ready creators, and delivered campaigns that connect across cultures and continents. I’m not just fluent in After Effects and Premiere — I’m fluent in people, process, and possibility.
Whether it’s pharma brands, orchestrating PR activities, or designing narratives for emerging tech, I lead with empathy, solve with agility, and execute with relentless focus.
Side quests? DIY electronics. Macro photography. Home theaters built from the ground up.
Superpower? Blending creative chaos with structured calm.
Looking for a creative director who’s walked both startup fire and enterprise ice — and still brings the spark?
Crafting compelling stories through animation, video, and visual design that inform, inspire, and engage.
Every frame has purpose, I translate business goals into emotionally resonant narratives.
Balancing creativity with clarity to build content that aligns with brand, context, and audience.
Built and led high-performing creative teams, fostering autonomy, confidence, and industry readiness.
Guided 40+ designers with hands-on mentorship, instilling best practices and global collaboration skills.
People-first leadership rooted in trust, communication, deep understanding of individuals.
Wore many hats early in my career, gaining hands-on experience across creative, execution, and operations.
Worked with clients and teams across time zones, industries, and creative cultures.
Collaborated seamlessly with marketing, tech, product, and HR teams to bring big ideas to life.
Promoted to Associate Manager in just 18 months, fast-tracked via TAP, breaking the usual 2-year rule. Joined as Team Lead in Jan ’23 (post-probation from Apr) and recognized early for leadership impact.
Joined Annalect (Omnicom Media Group) as Team Lead with the mission to build, mentor, and scale a high-performing motion team. Took charge of stakeholder trust, recruitment, and quality stretching time, energy, and effort to make it all happen.
Drove employee engagement at Adobe through impactful events and internal communications. Led end-to-end execution, supported cross-teams, and brought stories to life with creative precision.
Spent 5+ years at IBM, contributing to teams like DGC, MSC, and Blue Studio. Worked on global campaigns for Blockchain, Food Trust, and Watson, while mastering agile workflows and Carbon Design standards. A journey rich in learning, innovation, and creative growth.
At Pixton Technologies, I got my start in the dynamic world of startups — wearing multiple hats from designer to on-ground executor. It laid the foundation for my hands-on approach and adaptability across creative and technical roles.
At Purple Creative, I explored the fast-paced world of boutique agencies — handling end-to-end creative execution, client interactions, and production logistics. It was a defining phase that sharpened my versatility and creative independence.
I was never content with just doing the work; I had to understand it, feel it, and make it better. Whether behind the scenes or leading from the front, I brought a rare blend of creative instinct and calm precision to every challenge. Driven by curiosity and empathy, he learned to turn complexity into clarity, chaos into motion, and teams into tight-knit creative engines.
What started as a love for visuals soon became a way of life — shaping narratives, solving problems, and building spaces that inspire. Along the way, I wore many hats, mentored many minds, and found joy in both the craft and the people behind it. My journey isn’t just about the projects I completed — it’s about the energy I bring, the culture I shape, and the spark I leave behind.
These are the tools I use to bring ideas to life — from motion and design to editing and execution. But I’m never limited by them. I’m a quick learner, and I pick up new tools at jet speed whenever creativity calls for it.
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